Opinion: Oluwo, Elebuibon And Terror War

Monday Lines 1

Opinion: Oluwo, Elebuibon And Terror War

By Lasisi Olagunju 

(Published in the Nigerian Tribune on Monday, 22 June, 2026).

The Oluwo of Iwo, Oba Abdulrasheed Adewale Akanbi, recently threw a challenge at Yoruba spiritual leaders. His target was the forest where terrorists are holding schoolchildren and teachers abducted from Oriire Local Government Area of Oyo State.

“All the Babalawo, Araba and Alfas who are always boasting of one charm or another, the time has come to use your powers to rescue the abducted children of Oriire. If money is the problem, I will provide it. Or are your charms effective only when it is time to afflict innocent people? Isé ti dé. War is here. The children are still in the bush.”

The oba did not stop there. He mentioned Chief Yemi Elebuibon and a few other prominent custodians of Yoruba spirituality by name. It was the sort of challenge that would earn applause in the marketplace. Many heard it and nodded in agreement; some clapped for the Oba. After all, if spiritual powers are as potent as their possessors claim, why should they not be deployed against kidnappers and terrorists?

But there was a problem. The challenge may have sounded attractive; it was not one that an Oba should throw.

Chief Elebuibon, like every able elder of Yorubaland, did not leave his vocal cords at the launderette. He responded with characteristic wit and lyrical force.

“What Oluwo said was not properly said,” he declared. “He should have called on pastors, mallams and babalawo alike to help. We know how things are done in Yorubaland. We do not invite farmers to deliberate on warfare, nor do we summon traders to teach farming. No one fights a war with a babalawo's staff, just as no one uses an ìrùkèrè to sack a town.

“If you see a babalawo at the war front, he is there to prepare the ground for victory, not to fight the battle himself. Warriors fight wars; babalawo perform the duties assigned to them by tradition.”

A professor friend listened to Oluwo. She listened to Chief Elebuibon. Then she exclaimed: “What stops the Oluwo himself from leading the war as the kings of old did?”

“That is true,” I replied.

Oduduwa came to Ile-Ife not as a social commentator but as a conqueror. His descendants inherited crowns and swords together. In old Oyo, Alaafin Ajaka lost his throne because he could neither confront nor defeat the enemies threatening his kingdom. Only after the death of his warlike brother, Sango, did he return to power and redeem his reputation on the battlefield.

If, therefore, the Oluwo believes the forests of Yorubaland are overrun by terrorists, perhaps the challenge should begin closer to home. Let the king do as his forefathers did. Let him enter the forest and emerge with victory. Ogun dé! The war drums are sounding.

Yet, that is precisely why an Oba should be careful with challenges such as the one the Oluwo threw at priests, pastors and mallams.

An Oba may possess the mystery of Ọbatálá, who “sits on the skin of an ant.” Yet he is not permitted to drag a priest about like a bag of beans. They should work together.

The Yoruba say that the crown is not merely worn on the head; it is carried in the mouth. Once a king speaks, his words cease to be ordinary words. They acquire the weight of the throne. That is why our fathers insisted that certain utterances belong to the marketplace and must never escape from the palace gates.

The palace and the street are not the same institution. The marketplace thrives on noise; the palace survives on measured dignity. An Oba may be criticised, but he must never sound like a critic. He may be angry, but he must never appear quarrelsome. The throne is diminished when it descends into the arena of everyday disputation.

As the Yoruba wisely observe, ọba kì í jà; aṣojú rẹ̀ ńii jà fún un (the king does not fight; his emissaries fight on his behalf). They also say: ọba kì í péjọ; ìjọ ni ń péjọ fun ọba (the king does not go seeking gatherings; gatherings come seeking the king).

The late economics historian, Professor Wale Oyemakinde, captured this ideal brilliantly in his 'The impact of nineteenth century warfare on Yoruba traditional chieftaincy.' He wrote that the Yoruba Oba was “distinct and distinguished.” He was Kabiyesi—one whose authority could not be casually challenged; Alaiyeluwa—the earthly representative of divine order. He was expected to be the eyes and ears of the people, the bridge between the living and their ancestors, the custodian of peace and, when necessary, the inspirer of war.

For that reason, the Oba's conduct was governed by restraints as much as by privileges. Oyemakinde reminds us that while all roads led to the king's palace, the king hardly travelled. While subjects visited him, he did not go about visiting subjects. While others paid homage, he paid homage to no one. Distance preserved dignity; restraint protected majesty.

William Shakespeare understood this burden of kingship. In Henry IV, Part II, as the king broods over the burdens and anxieties of office, he contrasts his own restless nights with the tranquil sleep of his lowliest subjects and concludes: “Uneasy lies the head that wears a crown.” The crown is heavy not because it grants power but because it demands discipline and sacrifice. A king must often resist saying what every other person is free to say.

That is why Oluwo's challenge, though entertaining, sounded misplaced. There are words that may come from a warrior, a politician, a priest or a columnist. There are words that should not come from the throne.

The Yoruba compare the king to the eagle perched atop the iroko tree. From that lofty height, the eagle sees farther than every other bird. Yet it does not, like the restless ẹyẹ ẹ̀ga (weaver bird) or the ever-chattering ibaka (canary), flutter noisily from branch to branch advertising its presence. The eagle's authority lies in its stillness; its majesty in its composure.

The throne is diminished when it competes with the marketplace or the cyberspace. Whenever a king abandons the elevated language of the palace for the rough-and-tumble of public controversy, he risks exchanging majesty for momentary applause. But applause is like the crackle of dry leaves in harmattan—briefly loud, then gone with the first dews of dawn.